Three case breakdowns, then the rest of the work — generative films, motion, 3D and illustration, in-house and through agency engagements.
Keeping a photoreal anthropomorphic cast identical across every shot — no temporal flicker, no warping.
High-resolution master frames, generated for texture fidelity before any motion exists.
a cinematic portrait of an anthropomorphic black british shorthair cat, chubby and powerful build, wearing matte black t-shirt, two thick gold chains and a gold cross pendant, studio amber background with soft gradient lighting and vignette, warm cinematic tones, telephoto portrait compression, soft rim light from above, 35mm film still aesthetic, texture-rich fur, analog color grading, low contrast film grain look, mood serious and stoic, hip-hop attitude, A24 minimalist portrait style, lighting by Roger Deakins, realistic gold reflections and matte fabric. --no humans, human hands, human proportions, human hair --chaos 3 --ar 16:9 --quality 4 --raw --profile fcf1cbr --stylize 50
Upscale, composite and artifact cleanup, producing a clean plate ready to animate.
Motion parameters and camera move tuned so the character stays solid while the background keeps cinematic depth.
One visual system across jingle, campaign film and a 50-shot scene bank.
Key visual and a full set of kinetic 3D cutdowns from one modelled food system.

Printed work featured in Monks' publication on generative craft.
Personal and R&D pieces — the work behind the pipelines.
Editorial illustration for the business daily, across two runs — pen and ink first, digital later.